Storytelling in the New Hollywood: Understanding Classical Narrative Technique

Once through the book and I think you'll find all you need. This isn't one that you pick up again and again to get you through the rough spots. Borrow it from your local library, spend a day or two pulling out what you need and then return it. There are many other books that will be more useful to you as references.

Shatters The Myth of "3-Actitis" And Other Hollywood Fables
While this book covers some of the same ground (if not the same exact screenplays) as Thomas Pope's well-written GOOD SCRIPTS, BAD SCRIPTS, Ms. Thompson clearly knows her stuff.

Just to have an educated author present an argument against 3-Act structure is provacative (Hollywood wants formulas, not new paradigms). In the rush to collapse the shelves of bookstores across America, too many "how-to-write-a-screenplay" tomes have twisted the 3-act structure into a cliched checklist far removed from any aesthetic considerations. This book shows the limitations of not only the 3-act philosophy, but other screenwriting "rules" as well.

While the critiques of all the films were full of insights, I preferred the chapters which discussed the differences/similarities between "old Hollywood" and "new Hollywood" with regard to "classic" storytelling and today's movies' cookie-cutter-characters with every-plot-point-in-its-place.

For both writers and the viewers this book proves to be a thought-provoking read not only about film, but the nature of story itself. You'll never look at movies, or your own memories, the same.