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Sessions with Sinatra: Frank Sinatra and the Art of Recording |
Author: Charles L. Granata
Published: 2003-10-01 |
List price: $19.95
Our price: $13.57
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As of: November 23rd, 2008 01:41:15 PM
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Customer comments on this selection.
 Ring-a-Ding-Ding!!!!!
Charles L. Granata is a Sinatra Historian and Archivist, and he has distilled a wealth of information into his book: Sessions With Sinatra. It covers Frank Sinatra's career, from his first recording in 1939, until his last in 1993. It focuses on the music, and only mentions his private life if it pertains to the music. The book is about Frank Sinatra, the singer, but it is also about the Art of Recording, and the development of recording technology, which parallels the career of Frank Sinatra, or that is the central thesis of the book. "Chuck" Granata puts up a very good case, and documents his case with extensive detail. But with evidence like the illustrious career of Francis Albert Sinatra, it is an easy case to make.
Frank Sinatra is quite a paradox, someone with a dark side, but also a sensitive artist, the greatest singer of the 20th Century--but sometimes he could be a real jerk. The book doesn't pull any punches, but since we mostly see him in the recording studio, he is on his best behaviour. There is mutual respect between him and the musicians, the producers, and arrangers, with him occasionally pushing them to do their best. Yes, there are tantrums at times, and it is all in this book.
As well as information about Sinatra, his singing, the arrangements, and the music, there is also a tremendous amount of technical information. The various microphones used, the recording equipment, the echo chambers used to enhance it, the various studios and their construction and acoustics. Sometimes this can be a little dry to the non-engineers who might be reading it, but what is fascinating about it is that Frank was there making records when they were recorded on laquer covered disks, and he was along for the ride for all of the technical innovations that followed. To study the recordings of Frank Sinatra is to study the history of recording. He was not only there when it happened, but often the force making it happen, or at the very least the catalyst.
It is all there in Mr. Granata's book: From his early days with Harry James and Tommy Dorsey, through his solo career at Columbia and Capitol. He left Capitol to form his own company, Reprise, and then finally at the end, for the Duets I and II he was back at Capitol. The great arrangers and producers that worked with Sinatra are all covered: Axel Stordahl, Nelson Riddle, Billy May, Gordon Jenkins, Don Costa, Johnny Mandel, Jimmy Bowen, Mitch Miller, Claus Ogerman, Ernie Freeman, and many others.
If you have ever wondered what is was like at the creation, this book is for you. If you are skeptical about Frank Sinatra's talent, if you doubt that he was the greatest singer of the 20th Century, and if there is a greater one in the 21st, he or she has yet to reveal him or herself, then listen to the songs listed in the book, then read the book. Songwriter Sammy Cahn knew Frank when he was just starting out, and as his career was just starting to gather momentum, he told him of a dream, a vision, that he could be, was going to be, the greatest singer the world has ever known. And he was.
Essential Sinatra:
Songs for Young Lovers (Nelson Riddle, August 1954) My Funny Valentine, The Girl Next Door
In the Wee Small Hours (Nelson Riddle, April 1955) In the Wee Small Hours
Songs for Swingin' Lovers! (Nelson Riddle, March 1956) I've Got You Under My Skin
Close to You and More (Nelson Riddle, January 1957) Featuring The Hollywood String Quartet
Frank Sinatra Sings for Only the Lonely (Nelson Riddle, September 1958) One For My Baby (and one more for the road)
Come Fly with Me (Billy May, January 1958) Come Fly With Me
Ring-a-Ding Ding! (Johnny Mandel, March 1961) Let's Fall in Love, I've Got My Love To Keep Me Warm
It Might as Well Be Swing (with Count Basie) (Quincy Jones, August 1964) The Best is Yet to Come
September of My Years (Gordon Jenkins, August 1965) It was a very good year
Strangers in the Night(Nelson Riddle and Ernie Freeman, May 1966) scoobey doobey doo!
Good rare photos and involving writing
This book comes from a different perspective and reminds the reader that really , it should be about the music .
I had read some silly books about Mr Sinatra and was glad to come across a serious one - I've always been fascinated by recording studios , having done some recordings myself . I wish I could have been at some of Sinatra's sessions .
This book is the next best thing for me .
I loved it .
Buy if you are even a small fan - this will make you into a bigger one .
Sinatra In The Studio
Read this one cover to cover. Incredible detail, both technical and artistic. The only thing that would have made this book better is a complete sessionography or a description of the recording process of each album rather than just select dates. That said, it is an incredible resource. This book, along with Will Friedwalds excellent "The Song Is You" are the definitive works on Sinatra's recording career.
A Wealth of Information on Sinatra Recordings
"I adore making records. I'd rather do that than almost anything else." ~ Frank Sinatra, 1961 ~
"Frank had the color and the fire and the brains and the imagination. Intellectual background strangely enough. Artistic sensitivity." ~ Nelson Riddle, 1983 ~
"Most Sinatraphiles would argue that his finest work, and the style he will ultimately be remembered for, was forged with Nelson Riddle. Sinatra-Riddle partnership was musically ideal and illustrates how a symbiotic musical relationship between orchestrator and singer can make a world of difference in what we hear and how we hear it." ~ Chuck Granata, 2004 ~
"Sessions with Sinatra and the Art of Recording" is indeed a wealth of information on everything you should know about Frank Sinatra's recordings. It is divided into five parts: The Big Band Years (1937-1942), The Columbia Years (1943-1952), The Capitol Years (1953-1962), The Reprise Years and Capitol Revisited. Mr. Granata did an excellent job in outlining Frank Sinatra recordings during his entire musical career, and his vast knowledge on all aspects of recording, technical in particular, is so amazing.
The Foreword was written by Phil Ramone, who himself is very well-versed when it comes to recording session engineering, and once said that he "was in heaven on the day that he realized his dream of engineering a Sinatra session."
Nancy Sinatra, who herself is a star in her own right, has written a very loving tribute to her famous Dad and "her hero" on the Afterword. I would single out a quote from her that I found so moving, here goes. . .
"My father always had a genius for picking the right songs, and when you consider the relationship between the tunes he selected, and the remarkably different themes that comes with each passing decade, you can see that his music tells a story that parallels his life and ours. Those songs, and their changing themes, represent Dad's most passionate dream - the one he talked about on dates with my mother - and the realization of that dream, which brought him almost insurmountable pain along with irrepressible joy as he experienced it, and as he lived it."
This wonderful and well-written book also features over a hundred black and white photos of the star himself with his fellow artists, musicians, conductors and arrangers such as Nelson Riddle, Quincy Jones, Billy May, Count Basie, Duke Ellington, Mitch Miller, Rosemary Clooney, Bing Crosby, his daughter Nancy, among others; Nelson Riddle's original score for "Close To You" in 1956; a vocal lead sheet of "April In Paris," (from Come Fly With Me sessions in 1957), which Mr. Granata cited as an example of how great Frank Sinatra was in legato-style phrasing, breath control and vocal maturity.
Mr. Granata wrote about the collaboration between Sinatra and Riddle (Part 3, Pg 92) and called it "A Musical Marriage." Frank Sinatra believed that Nelson Riddle was "the greatest arranger in the world, a very clever musician who was like a tranquilizer - calm, slightly aloof. And he's got a sort of a stenographer's brain." If Sinatra tells him, "Make the eighth bar sound like Brahms," or "make it like Puccini" - Riddle will make little notes, and will obey the Chairman. Their partnership was so fruitful and creative as well, and had produced the finest recordings of all-time, there's no doubt about it. They were truly musically made for each other. They both had good work ethic and the same musical goal. They knew what "each other was doing with a song and what they wanted the song to say." They had a very good rapport in all their collaborations, which is the most important factor to the success of a recording.
This is a very detailed source of information to any new Sinatra fan looking to start a collection of albums for the appendices show lists of Companion Recordings, Basic Collection, Concept Albums under Columbia, Capitol, Reprise, QWest Records. It also enumerates "Fifty Songs That Define the Essence of Sinatra" and most of them are meaningful, special songs that are my all-time favorites.
Congratulations, Mr. Granata for an excellent and well-crafted book you've written. And thank you very kindly for inscribing my copy. :)
Very highly recommended to any Sinatra buff.
A Model Book
Sessions With Sinatra sets a unique standard of excellence in balancing historical research with respectful recognition of Sinatra's importance to Twentieth Century music.
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