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Guy Noir, Radio Private Eye |
Author: Garrison Keillor
Published: 2002-08-01 |
List price: $14.95
Our price: $10.17
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As of: December 04th, 2008 03:41:30 PM
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Customer comments on this selection.
Good, but not as good as the second Guy Noir I laughed until I cried at the second Guy Noir book on CD. This one has some great moments too, but is not as consistently funny as the second. I still would recommend it to Garrison Keillor fans - he is a genius at comedy and anything else he chooses to do.
Blind Mother My Mom loved this audio book as a Christmas gift and had made it a Christmas Keepsake to pull out for the holidays to enjoy.
first of two very funny series This first collection of "Guy Noir" routines, lifted from A Praire Home Companion, are very funny. Garrison Keillor and his merry band of actors give a sense of the old time radio drama? with these. The sound effects are excellent and the theme is pretty cool. Both series are great. I wish they'd lift more of them to create a few more series.
Not the Noir I know I love PHC and Guy Noir. Does anyone remember (or know where I can get) the St. Patrick's Day show he recorded in Dublin, Ireland? The Guy Noir skit on that broadcast was high-larious.
This particular collection is a 9-track running joke. It has its standout moments with fantastic feats of alliteration in a couple tracks and the old fashioned sound effects are fun . . . but, as another post here says, it gets less funny as it goes along.
The essence of comedy is brevity and most of these skits take too long. I recall the Guy Noir skits I heard on the radio being shorter, much more varied and having a bigger cast with more fantastic stories. Most of these tracks just drag on as if by taking longer to get to the punchline the same old shtick will become funnier; mostly, it doesn't work. Unless you're a real die-hard fan completing your PHC collection, this CD is a monotonous disappointment.
When Guy Noir Was Really Funny Buy this album! It will bring you back to a time before Garrison Keillor and Prarie Home Companion descended as completely into self-absorption and self-parody as they are today.
A time ago Keillor described New York performance artists as "raging narcissists." He was right, but did not know how he was predicting his own aesthetic future.
And you'll see it so clearly here. For one thing, Keillor shares the Guy Noir stage with someone other than a sound effects man: the character of Pete is essential to understanding Guy Noir's psyche. We can guess that Pete was phased out so that Noir, as portrayed today, is more of a loner. But it might also have had to do with the fact that Pete pretty consistently upstaged Guy - you be the judge.
But what really matters, of course, is the quality of the comedy here, and it's just great. Word plays, tongue twisters, great plots - it's bright, original, funny and deliciously ironic. You'll love it!
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